NAMBA SHOUTEN Journal – Kimono-Inspired Modern Fashion
Good Condition: A Showa-Era Striped Noragi That...
Early to mid-Showa Japan, 1926–1960s. Striped cotton noragi, miyatsuguchi present. 72.5cm length, 60.5cm chest. Good vintage condition — the quiet completeness of a garment that survived intact. Wear as shirt...
Good Condition: A Showa-Era Striped Noragi That...
Early to mid-Showa Japan, 1926–1960s. Striped cotton noragi, miyatsuguchi present. 72.5cm length, 60.5cm chest. Good vintage condition — the quiet completeness of a garment that survived intact. Wear as shirt...
The Apex of Taisho Modern: A Black Wool Tonbi M...
1920s–1930s Japan. Black wool Tonbi mantle, real fur collar, Inverness-style cape. 131cm length. Worn by wealthy gentlemen over kimono — the apex of Taisho Modern elegance. Neck hook present. Bespoke...
The Apex of Taisho Modern: A Black Wool Tonbi M...
1920s–1930s Japan. Black wool Tonbi mantle, real fur collar, Inverness-style cape. 131cm length. Worn by wealthy gentlemen over kimono — the apex of Taisho Modern elegance. Neck hook present. Bespoke...
The Stripe That Worked: A Striped Cotton Noragi...
Early to mid-Showa Japan, 1930s–1960s. Striped cotton noragi with miyatsuguchi (traditional underarm slits). 72cm length, 60cm chest. Sleeve staining, lining fabric slippage. The stripe that was chosen because it worked...
The Stripe That Worked: A Striped Cotton Noragi...
Early to mid-Showa Japan, 1930s–1960s. Striped cotton noragi with miyatsuguchi (traditional underarm slits). 72cm length, 60cm chest. Sleeve staining, lining fabric slippage. The stripe that was chosen because it worked...
When the Cape Moves: A Showa-Era Wool Cape Coat...
Early to mid Showa Japan, 1920s–1950s. Wool cape coat, 103cm length. The flowing cape drapes over the shoulders and shifts with movement — a three-dimensional silhouette that holds presence in...
When the Cape Moves: A Showa-Era Wool Cape Coat...
Early to mid Showa Japan, 1920s–1950s. Wool cape coat, 103cm length. The flowing cape drapes over the shoulders and shifts with movement — a three-dimensional silhouette that holds presence in...
Keio 1, July 5: The Name Written on the Flag
Keio 1, July 5, 1865. A triangular cloth flag from the end of the Edo period, hand-inked with a Buddhist posthumous name: Shaku Gyokuro Doji. Applied kamon crests in two...
Keio 1, July 5: The Name Written on the Flag
Keio 1, July 5, 1865. A triangular cloth flag from the end of the Edo period, hand-inked with a Buddhist posthumous name: Shaku Gyokuro Doji. Applied kamon crests in two...
Kansai Yamamoto Homme: Where Cable Meets Crazy
Kansai Yamamoto Homme. Patchwork cable knit sweater, crazy pattern, size M. The collision of two textile traditions — the structured geometry of cable knit and the deliberate disorder of patchwork...
Kansai Yamamoto Homme: Where Cable Meets Crazy
Kansai Yamamoto Homme. Patchwork cable knit sweater, crazy pattern, size M. The collision of two textile traditions — the structured geometry of cable knit and the deliberate disorder of patchwork...